The VisitorSo, Arena had released two studio albums so far: "Songs From The Lions Cage" and "Pride". Both albums had a typical Neo-Prog sound to it and similarities with Marillion were present more than once. Keith More, who has proved himself a fantastic guitarist(!), had left the Arena and John Mitchell enters the Cage. In 1997 the band released an EP called "The Cry" which features alternate and rearranged versions of the
Crying For Help songs, along with a few new ones. It becomes apparent that this new guy knows how to play the guitar. Bring on the next studio album: "The Visitor"!
By this time some peculiar people still call Arena a Marillion clone, but this is simply not true. "The Visitor" marks a new step for Arena and defines their sound. It's also the first real concept album. And it's a very interesting one at that, about near-death experience.
A Crack In The IceThe first song starts with a distant pulse which changes in a guitar riff and solo. It is one of the many recurring musical themes present on the album. This theme and song is about defiance. There's lots of keyboards and synths on this album, sometimes on the forefront, sometimes very well constructed as a back-up for the vocals or guitar. In the quiet middle section we hear a very beautiful acoustic guitar. At the end of the song the protagonist falls through the ice and the music becomes ambient as if we are underwater.
Pins And NeedlesThe second song is a very laid-back song. Nothing really special, just a necessary piece of the puzzle and a transition to the next song.
Double VisionAn exciting piece of music. Floating keyboards and swirling guitar solos. Actually, I once called it "a guitar solo with breaks of vocal parts in it" and I think that sums it up quite nicely.
EleaTalking about guitar solos! This one was written by John Mitchell and is a showcase of his talent. Especially considering he was 24 years old at the time.
The Hanging TreeIf I had to choose one song out of this album, it would be
The Hanging Tree. It's symphonic character works really well for me. There's a part that reminds me of Genesis'
Entangled, there are harmony vocals, beautiful and recognizable melodies, and the guitar and synth combo solo at the end is amazing.
A State Of GraceI was never really sure about this song. This song is quite aggressive (except for the small "we will be as one forever" bit) and it initially put me off, but it is a song where Paul Wrightson really shines. The protagonist's anger can be felt. I've come to like this song more and more.
Blood Red RoomThis 'song' (or rather a musical backdrop for the spoken words) is building such tension and an expectation along with it, which will be met in the next song:
In The Blink Of An EyeOne of Clive's trademark keyboard solos can be found here. This is a highly energetic song. I love the piano parts.
(Don't Forget To) BreatheI always wondered why most of the title is between brackets. In any case, I'm sure it has nothing to do with Pink Floyd's
Breathe (In The Air)!
SerenityLike
Elea, again a guitar instrumental.
Tears In The RainA personal favourite of mine. It's so emotional. Fantastic guitar solo as well. Mr. Mitchell certainly is an asset to the band!
Enemy WithoutThe song starts with someone either crying or maniacally laughing in the background. The fact that it remains so unclear adds to the mysteriosity of the intro. But then it becomes one of the most uplifting songs on the album. I always want to jump when I listen to it and sing along to it: "No! Don't let the child die here!".
Running From DamascusIn a way it is a reprise of
A Crack In The Ice. The part right after "I can feel my heart begin to burn!" gives me goosebumps everytime! "Open your eyes!". This song is the last 'convulsion' before it really ends with...
The VisitorThere he is, the Visitor. The last song doesn't answer the questions asked in the album, it even starts asking even more questions. It ends with a reprise of the Hanging Tree theme. What a beautiful way to end an album!
ConclusionLooking back at this review I must admit that I don't have much to say about the individual songs. And let's be honest, there's no 'Solomon' on this album. But it doesn't need to. When you take these songs out of context it probably won't make much sense (although there are a few exceptions). But "The Visitor" is more than just the sum of its parts. It is an experience. An experience I want to repeat over and over. Up to this point in their career, this is truly Arena's best album! Can they top it?